[FEAT] New time period for living composers?
Posted: Mon Aug 19, 2013 8:51 pm
When it comes to the Time Periods, though IMSLP has borrowed the date usage and terms from Wikipedia up until the 20th century, IMSLP strangely stops doing so when it comes to the 20th Century and uses an arbitrary distinction between "Early 20th Century" (1900-1945) and "Modern" (1945-).
How about, instead of those rather crude categories, we have the following more fluid categories (based on Wikipedia's again): "Modern" (1890-1930), "20th Century" (1901-2000), "21st Century" (2001-) and "Contemporary" or "Living Composers" (composer pages without a date of death yet). Since composer pages can belong to more than one category, it makes sense to have more overlapping categories.
I feel strongly for separating living composers from dead ones - it would make it easier for living composers (and musicians) to take a look at others' work, get inspired, and get in touch with each other. It would make IMSLP a bit more of a platform for interaction, rather than just an archive, and really support that interaction between living composers.
Does this make sense? Is such a change even feasible with so many composers already under those two categories?
How about, instead of those rather crude categories, we have the following more fluid categories (based on Wikipedia's again): "Modern" (1890-1930), "20th Century" (1901-2000), "21st Century" (2001-) and "Contemporary" or "Living Composers" (composer pages without a date of death yet). Since composer pages can belong to more than one category, it makes sense to have more overlapping categories.
I feel strongly for separating living composers from dead ones - it would make it easier for living composers (and musicians) to take a look at others' work, get inspired, and get in touch with each other. It would make IMSLP a bit more of a platform for interaction, rather than just an archive, and really support that interaction between living composers.
Does this make sense? Is such a change even feasible with so many composers already under those two categories?