The climatic section towards the end of the first movement in Sibelius's Symphony No. 2 is very moving. He takes the somber second theme of the piece and alters it by transforming it into a majestic, triumphant brass fanfare.
ZacPB189 wrote: Richard Strauss's Solome has the most amazing show-biz climax at the end .
Do you mean the very end, where she get crushed (the squealing woodwinds at 362 are inspired) or the preceding multi-peak climax of the scene with the head (I like the famous grinding chord a half measure before 361, though the ultimate climax of the vocal line is a few bars before this)?
ZacPB189 wrote: Richard Strauss's Solome has the most amazing show-biz climax at the end .
Do you mean the very end, where she get crushed (the squealing woodwinds at 362 are inspired) or the preceding multi-peak climax of the scene with the head (I like the famous grinding chord a half measure before 361, though the ultimate climax of the vocal line is a few bars before this)?
--Sixtus
"*Crash!* Ich habe deinen MUND----- gekuesst" That's the climax, the shield crushing is more of a coda.
The unexpected climax in the first movement of An Alpine Symphony by Richard Strauss is amazing, especially since it relatively comes from nowhere. I love the addition of the snare drum Strauss adds to the orchestration, creating a fusillade of sound which carries us from the nighttime atmosphere to the majestic sunrise.