Hamm, concertante works
Posted: Tue Jan 24, 2012 5:53 am
Hamm's concertante works are named with a number + gespräch to designate a conversation between a specific number of instruments, i.e. a conversation between three or four instruments.
We have categorized the two we have differently -- the Viergespräch is under "4 Gespräch", so it alphabetizes under G, and the Dreigespräch is done as it is in the title -- one word -- so it alphabetizes under D.
http://imslp.org/wiki/4_Gespr%C3%A4ch_( ... _Valentin)
http://imslp.org/wiki/Dreigespr%C3%A4ch ... _Valentin)
I understand the logic of separating the two components so they alphabetize under the G, but on the other hand, the original is one word, not two.
On the other hand (we're up to three now), both of these works should be handled in the same way.
Opinions?
We have categorized the two we have differently -- the Viergespräch is under "4 Gespräch", so it alphabetizes under G, and the Dreigespräch is done as it is in the title -- one word -- so it alphabetizes under D.
http://imslp.org/wiki/4_Gespr%C3%A4ch_( ... _Valentin)
http://imslp.org/wiki/Dreigespr%C3%A4ch ... _Valentin)
I understand the logic of separating the two components so they alphabetize under the G, but on the other hand, the original is one word, not two.
On the other hand (we're up to three now), both of these works should be handled in the same way.
Opinions?