IMSLP Forums

Thanks to all -- much food for thought! :-) I think I will be hiding empty staves (except for when there is information on the corresponding stave on a facing page, of course), so space won't be much of an issue. Not quite decided yet, but I think I will do polyphonic style consistently. I suspect/h...

Thanks, guys. So I guess I will follow my gut feeling then, and go with the polyphonic style.

Hi, I'm typesetting "Til Molde" by Christian Sinding from the original manuscript. It varies whether he uses one stem for each, say, flute part, or writes two separate voices. Example from the clarinet stave: http://i.imgur.com/2MkC0.png Individual stems are clearly needed in the first bar...

Thank you both for investigating. That sorts out which tune it is -- it is used in two well-known national-romantic hymns; "Norges skål", better known as "For Norge, kjempers fødeland" ("Toast to Norway" and "To Norway, Birthland of Giants", respectively) by J...

More precisely: Carl Czerny's Op. 520 -- 3 Rondinos Brilliants on Spanish, Russian and Norwegian themes, with particular interest in the Norwegian one. I don't know if this has ever been published, but it's worth a shot. I wrote the Gesellschaft der Musikfreunde in Wien an e-mail about a week ago as...

I agree with you -- my edit was a bit ambiguous.

It was certainly composed by Ole Olsen. Heads up, though; I think this should be categorized as arrangements under the Petite Suite which is also on IMSLP . The Serenade is certainly the same one, although Olsen could have re-used the piece in different opi ( edit: Hm, that seems to be the case here...

That's quite provocative. I suppose you're used to this nonsense.

This little tone poem after Heine for duo piano seems to be quite an obscurity. I even e-mailed Piano Duo Egri & Pertis, who made the only recording of it I can find (BTW, it is available in the Naxos library). This is what Attila Pertis wrote in his very informative reply: We checked the score:...