IMSLP Forums

I finally found it but the quality is sadly not good enough...

perlnerd666 wrote:Hmmm....Liszt is sticky.
That the composer of the Grand Galop Chromatique could have written the b minor sonata...

It's an enigma in the true sense of the word.

hmm i'd put my money on the russian editions.

hi there, if u want to typeset the score, u should try to follow the new liszt edition since it compares with most of the available sources, in the case with the trans. etudes: case any existing manuscripts and the first edition. the best way is to make a footnote explaining the differences on every...

Just from the top of my head, all available in color scans on the site: Franz Liszt: Sonata in FE Annes de pelerinage in FE Harmonies Poétiques et Religieuses in FE Grosses Konzertsolo in FE Transcendental etudes in FE Paganini etudes in FE Scherzo und Marsch in FE Ballades No.1-2 in FE Consolations...

Short version: Do you have access to the digital library of the University of Washington? If so, you might be able to help us. All you have to do is to log on to the library, save this file: https://digital.lib.washington.edu/dspace/handle/1773/11344 and send it to my e-mail, [email deleted, privat...

Here you go:

http://imslp.org/wiki/6_Melodien_von_Fr ... ,_Franz%29

http://imslp.org/wiki/Die_Forelle,_Lied ... ,_Franz%29

Enjoy.

I am on it.

If I understand correctly: All works from S.461-577 (with the exception of transcriptions of his own works, but still around 100 works) are to be listed (not placed) in "Versions of Works by Others (Liszt, Franz)"? This would have to be done manually I assume. If that's the case, there's n...

For the sake of being able to browse Liszt's transcription, it is necessary to have them in his section. There exists many revisions of some of his transcriptions (S.556, Die Rose (Heideröslein), S.494, Löse, Himmel, meine Seele, S.478, Russischer Galopp, S.473, Marche des Pèlerins de la sinfonie Ha...

I think we should stick to Searle's ordering (and other existing composer catalogues). In Liszt's section, a work that has many different transcription ( versions for piano solo, two pianos, piano duet, etc.) should have one page per version, but revisions thereof should be placed on the same page. ...

Having the different versions of one work organized under a table of contents on one page to me seems neat and simple compared to accessing multiple separate pages. That's the exact way it was ordered. A transcription would have its own page, and all other revision and editions would be under it. I...

one addition:

Arrangements, transcriptions and editions should be placed on pages for the original work, unless:
- it's a part of the transcriber's or arranger's compositional oeuvre and/or is cataloged by scholar(s) as such.

Sample Filename (preview) works only for one work at a time. In multi-work templates, only one preview will be given. Sample Filename 1, 2, 3, etc. doesn't work. Is this an error or an non-existent feature?

I disagree. The way it was before (with all different versions under their own respective page) was completely suitable and simple. I had already pondered upon the issue of Liszt for quite some time in those days, and I found that way of organizing to be the best. I don't know who changed it by putt...