http://imslp.org/wiki/In_questa_tomba_o ... _Adalbert)
This work is tagged as "for soprano..."; but in the score, the voice is written in Bass clef.
If it is the first edition, should'nt it be "for bass..." ?
Gyrowetz
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Re: Gyrowetz
According to RISM the score is for ""VIOLONCELLO I.", "VIOLONCELLO II.", "VIOLONCELLO III.", "VIOLONCELLO IV.", "VOCE." and "FORTE-PIANO." Thus soprano is
probably not the first choice.
probably not the first choice.
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Re: Gyrowetz
Indeed, I don't how the uploader (who also tagged the work) made that mistake, but it's fixed now. Thanks for alerting us Pierre .
Re: Gyrowetz
It is no. LVIII of something. It would be useful to know whether this is from something larger. It might be from ''In questa tomba oscura : Giuseppe Carpanis Dichtung in 68 Vertonungen (1808-1814)''.
If this isn't the original, then it may have been originally soprano. Maybe Fynnjamin should answer this . . .
If this isn't the original, then it may have been originally soprano. Maybe Fynnjamin should answer this . . .
bsteltz
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Re: Gyrowetz
You are correct!! Didn't think of looking under "Various". In the meantime, I contacted Fynnjamin, and he said it was a simple mistake, there is no other publication of this, so he changed the voice type to bass. I'll do some links.
bsteltz
Re: Gyrowetz
The links are already there under collections, but in Gyrowetz' case, as well as Emanual Aloys Förster, they have an entry on the collections page, and also a separate page on the scores page. Do we delete the separate page?
[edit] Czerny has both an individual and a collection entry too.
Beethoven has both as well, but in his case, there is a separate edition on his work page, so the page would stay and the duplicate file would be converted to a link?
Or the links could be the other way around -- individual pages where we have the composers, with links on the collection page unless the composer doesn't exist here or can't be identified.
[edit] Czerny has both an individual and a collection entry too.
Beethoven has both as well, but in his case, there is a separate edition on his work page, so the page would stay and the duplicate file would be converted to a link?
Or the links could be the other way around -- individual pages where we have the composers, with links on the collection page unless the composer doesn't exist here or can't be identified.
bsteltz
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Re: Gyrowetz
It kind of depends on if the individual contribution has become a well-known work in its own right for the composer in question. Even in this case, a permanent redirect - as we have with Bist du bei mir attributed to Bach - might still be the best way to go.