Why are there no Bach scores? You suck.
Moderator: kcleung
Bach scores
OK, here are the basic facts for anyone intrested:
The Bach Gesselschaft Edtion of the complete works of Johann Sebastian Bach was published in a series of volumes from 1851-1900. These volumes are public domain worldwide. The last surviving editor died a century ago in 1906. Scanning volumes does not place a work into copyright. Something must be added to the original, like a new preface, new editorial markings, etc. in order to claim copyright for a derivative work.
In some countries - Germany for example - there is a particular, limited class of copyright granted to so-called "critical editions." The term for such "scientific" works - when it is simply a re-engraving of existing public domain material - is 25 years from date of publication. The BGE varied in quality, depending upon the individual editor in quesion. The BGE volumes edited by Wilhelm Rust (1822-1892) were generally quite good and often differ little from their modern counterparts published in the Neue Bach Ausgabe. Other editors were less meticulous than Rust. In a few cases, manuscripts and other source material have surfaced which resulted in significant changes.
At any rate, the bottom line is that there is nothing in the Bach Gesellschaft Edtion that is protected by copyright - not a single page. This stands in stark contrast to other works found on this site, like Samuel Barber's "Adagio for Strings" which is protected by copyright around the world (Barber died in 1981 - considerably less than 70 years ago, and the title in question was published well after 1922 in the USA.)
The Bach Gesselschaft Edtion of the complete works of Johann Sebastian Bach was published in a series of volumes from 1851-1900. These volumes are public domain worldwide. The last surviving editor died a century ago in 1906. Scanning volumes does not place a work into copyright. Something must be added to the original, like a new preface, new editorial markings, etc. in order to claim copyright for a derivative work.
In some countries - Germany for example - there is a particular, limited class of copyright granted to so-called "critical editions." The term for such "scientific" works - when it is simply a re-engraving of existing public domain material - is 25 years from date of publication. The BGE varied in quality, depending upon the individual editor in quesion. The BGE volumes edited by Wilhelm Rust (1822-1892) were generally quite good and often differ little from their modern counterparts published in the Neue Bach Ausgabe. Other editors were less meticulous than Rust. In a few cases, manuscripts and other source material have surfaced which resulted in significant changes.
At any rate, the bottom line is that there is nothing in the Bach Gesellschaft Edtion that is protected by copyright - not a single page. This stands in stark contrast to other works found on this site, like Samuel Barber's "Adagio for Strings" which is protected by copyright around the world (Barber died in 1981 - considerably less than 70 years ago, and the title in question was published well after 1922 in the USA.)
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On the site http://www.imslp.org/index.php?title=So ... bastian%29 I started to put in links to the site with the music files (being an organist I started with the Trio-sonatas). I wonder: should those links point directly to the pdf-file or to the site with the music files (as I did).
A possibility could be that the "header" : Trio-sonatas for organ BWV 525-530 could point to the site with music files and the titles beneath it to the pdf-files, but I did not find out how to make a link of the "header".
So the easiest (and quickest) way is to do as I did, but, as written, I wonder if this is the right way to do? Maybe there is a policy for those kind of things?
A possibility could be that the "header" : Trio-sonatas for organ BWV 525-530 could point to the site with music files and the titles beneath it to the pdf-files, but I did not find out how to make a link of the "header".
So the easiest (and quickest) way is to do as I did, but, as written, I wonder if this is the right way to do? Maybe there is a policy for those kind of things?
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I did not read your message before today... IF someone needs an english reply please notify.
Ik had enkel de paginatitel veranderd (vewijderen van nummer) omwille van de alfbetische opsomming in de componistpagina. Dat hoeft nu niet meer, omdat nummers automatisch niet meer worden opgenomen in de sortering. Dus Six Preludes (Bach) worden gesorteerd onder de P, maar de titel blijft dezelfde.
Het heef inderdaad weinig zin te linken naar de pdf, aangezien die toch op IMSLP staat. Linken naar de website zelf is een beter idee.
En je laatste vraag begrijp ik niet goed.
BTW, your question is not very relevant in this topic...
Ik had enkel de paginatitel veranderd (vewijderen van nummer) omwille van de alfbetische opsomming in de componistpagina. Dat hoeft nu niet meer, omdat nummers automatisch niet meer worden opgenomen in de sortering. Dus Six Preludes (Bach) worden gesorteerd onder de P, maar de titel blijft dezelfde.
Het heef inderdaad weinig zin te linken naar de pdf, aangezien die toch op IMSLP staat. Linken naar de website zelf is een beter idee.
En je laatste vraag begrijp ik niet goed.
BTW, your question is not very relevant in this topic...
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Peter:
which volume of the BGA is this?
If it is a true miscellany of items from the BWV catalogue, I suggest it might be better to provide the file "as is" or subdivided by some other system than for individual works. If you can let me know which volume, I'll download a copy and give it a look.
Regards, Philip
which volume of the BGA is this?
If it is a true miscellany of items from the BWV catalogue, I suggest it might be better to provide the file "as is" or subdivided by some other system than for individual works. If you can let me know which volume, I'll download a copy and give it a look.
Regards, Philip