Beethoven Symphonies
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Beethoven Symphonies
beethoven symphonies
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Weird poll
Why not make a poll with all of the Beethoven symphonies as options? Or, at least, a poll that includes two of Beethoven's most significant symphonies, the Third and Fifth?
Anyway, I answered 'Ninth Symphony'; it's my favorite of all the symphonies, and I believe it to be one of the greatest, if not the greatest.
Anyway, I answered 'Ninth Symphony'; it's my favorite of all the symphonies, and I believe it to be one of the greatest, if not the greatest.
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Beethoven's Symphonies
For a time, Beethoven's Symphony No. 6 was also my favorite, after I had been introduced to it through the film Soylent Green. When I first heard Beethoven's Ninth, I was a bit skeptical of its greatness, and indeed struggled to like it much as music; however, I discovered greater appreciation for it when I learned more about the story of its composition, and about the general meaning of the "Ode to Joy" piece.
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The Fifth Symphony is my favourite. Especially the transition from the 3rd to the beginning of the 4th movement. It causes the hair to stand up on the back of my neck, every time - what a glorious profusion of sound.
aldona
aldona
“all great composers wrote music that could be described as ‘heavenly’; but others have to take you there. In Schubert’s music you hear the very first notes, and you know that you’re there already.” - Steven Isserlis
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One or two is my favourite can't choose.
The melody (which is just the outline of a chord... how original...) is a melody from Mozart's overture of Bastien & Bastienne. When ever I hear it I can't help thinking of the Shepherds theme from the 5th.two of Beethoven's most significant symphonies, the Third and Fifth?
I think the 9th is the best overall, however i haven't heard all of them and i've only really listned to 5 and 9. I really like the first 3 movts. of the 9th, but when it comes to the last, i just don't really get it, i think the vocal parts are too dominating when they come in, and i don't really like the music anyway. I think this kind of sums up my opinion of beethoven: fantasticly amazingly brilliant at times, indifferent at other times.
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I agree about the ninth. The Scherzo is its best feature, while the last movement is impossibly vulgar. The first movement is OK, but nothing to its counterparts in the fifth and third. The third symphony is similarly made by it's funeral march, and I'm likewise not sold on the last movement. The fifth symphony, in my opinion is the most consistently excellent. Truly inspired moments such as in the recap of the first movement and the breathtaking transition to the finale make it a masterpiece. I also really like the eighth, everyone should study it because there are some wonderful details that often go overlooked!
That's reminded me of a quote i heard, not from schoenberg but from someone around then, which said (can't remember exact words) that a composer should never use more than 2 consecutive notes moving by step or the listner will connect them and make meaning out of them!ArcticWind7 wrote:Then there is Schoenberg... first dozen pieces are good, the rest are historical. :p
Please don't get me started on schoenberg et al. (too late for that now) i think that is the ONLY kind of music i can acually get nothing out of at all.
Anyway, i'll stop.
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I like Schoenberg. I don't listen to the atonal stuff for pleasure. The early stuff is quite nice, sometimes over the top (Gurre-Lieder). But is piano pieces (especially the Suite) and concertos are excellent. By far my favorite composer of the 2nd viennese is Berg. The Lyric Suite is the most wonderful atonal composition I know.
I don't mind atonal music (i acually think it frees up the composer to do a lot more than within traditional rules) what i don't like is the lack of meaning when making actual music (as opposed to a collection of notes) either gets forgotten or just fails. Anyway back on topic:
Anyway, this has got my interest and im going to go find a recording of as many beethoven symphonies as i can.
I think that the 1st movt. of the 9 is it's best, i like the way themes are put together out of really almost nothing, yet still manages to remain interesting for it's entire 10-15? mins, but then that's just my opinion.goldberg988 wrote:I agree about the ninth. The Scherzo is its best feature, while the last movement is impossibly vulgar. The first movement is OK, but nothing to its counterparts in the fifth and third.
Anyway, this has got my interest and im going to go find a recording of as many beethoven symphonies as i can.
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Possibly because tonal music is actually natural for our ears.Please don't get me started on schoenberg et al. (too late for that now) i think that is the ONLY kind of music i can acually get nothing out of at all.
[q](i acually think it frees up the composer to do a lot more than within traditional rules)[/q]IMHO it limits it more for it has very limited expression.
It is impossible to have a 'memorable' melody for our brain is designed for tonal music.
Traditional rules often rely on tonal harmony for them to stay stable and a "rule" (and even then they are guidelines).
The only atonal music I actually like is effects type music (...well.... orchestration effects) I love Threnody by Penderecki.