Some suggestions for improvements on IMSLP
Posted: Mon Jun 13, 2011 9:01 pm
Here are several suggestions I offer to make the IMSLP website even more useful.
1. Lists of composers' names (with links to each composer's list of compositions) should also contain each composer's dates. I think this additional information would aid users immeasurably while browsing lists of composers' names. Yes, I know each composer's dates can already be found on the catalog pages devoted each composer's compositions. However, looking for each composer's dates on a separate page while browsing wastes a great deal of time.
2. When scanners post sets of parts for orchestral pieces (especially pieces for symphony orchestra that may include several dozen separate parts,) users should always be given the option of downloading the complete set of parts with one click. In many instances, parts are uploaded only separately (i.e. not in sets) -- and it takes forever to download them all separately. There's no problem with uploading separate parts -- but in all cases there should also be an option for a cumulative download.
3. My final suggestion might prove to be somewhat controversial. There are countless PD works for orchestra and ensembles now hosted on IMSLP without parts. However, in order for these works to be performed or recorded today, the first order of business for any orchestra, opera company or chamber ensemble is to locate a set of instrumental parts -- and then, either buy them, or rent them, or order them (if available free,) or copy them (legally.) Parts for many of these works are easily available for purchase or on rental from Luck's, Kalmus, Mapleson, etc., or from music publishers. But for a vast number of PD compositions on IMSLP (including operas and chamber music, as well as orchestral works,) sets of parts are either difficult or impossible to find.
Increasingly today, parts for individual works are the productions of small music typesetting companies, or orchestras (who purchased a set for a performance, or photocopied them legally, and now would like to rent out these materials.)
I suggest that IMSLP list on each work's webpage various sources for sets of parts (including rental companies, music publishers big and small, libraries and archives.) In other words, each page would contain a short list of links to sources for parts. Users of IMSLP could then make contact with the sources, making inquiries about prices, terms of rentals, condition, etc.
In addition to the considerable benefits this step would bring to musical organizations who use IMSLP, it might also bring to IMSLP some gratitude from music publishers. They might be able to rent sets of parts for countless obscure PD works long dormant in their archives (while users download the scores free on IMSLP.)
The information about availability and sources of parts for each score could be gathered gradually from IMSLP's users, through use of an online submission form. Contributors could list the sources, give an email contact and/or website, and specify whether the parts are available for purchase, for rental, or for free (postage only -- such as the Fleischer Collection.)
I have no doubt that the availability of this information in one central location (i.e. IMSLP) would have a profound effect on the repertoire performed today by orchestras, opera companies and chamber ensembles.
MS
1. Lists of composers' names (with links to each composer's list of compositions) should also contain each composer's dates. I think this additional information would aid users immeasurably while browsing lists of composers' names. Yes, I know each composer's dates can already be found on the catalog pages devoted each composer's compositions. However, looking for each composer's dates on a separate page while browsing wastes a great deal of time.
2. When scanners post sets of parts for orchestral pieces (especially pieces for symphony orchestra that may include several dozen separate parts,) users should always be given the option of downloading the complete set of parts with one click. In many instances, parts are uploaded only separately (i.e. not in sets) -- and it takes forever to download them all separately. There's no problem with uploading separate parts -- but in all cases there should also be an option for a cumulative download.
3. My final suggestion might prove to be somewhat controversial. There are countless PD works for orchestra and ensembles now hosted on IMSLP without parts. However, in order for these works to be performed or recorded today, the first order of business for any orchestra, opera company or chamber ensemble is to locate a set of instrumental parts -- and then, either buy them, or rent them, or order them (if available free,) or copy them (legally.) Parts for many of these works are easily available for purchase or on rental from Luck's, Kalmus, Mapleson, etc., or from music publishers. But for a vast number of PD compositions on IMSLP (including operas and chamber music, as well as orchestral works,) sets of parts are either difficult or impossible to find.
Increasingly today, parts for individual works are the productions of small music typesetting companies, or orchestras (who purchased a set for a performance, or photocopied them legally, and now would like to rent out these materials.)
I suggest that IMSLP list on each work's webpage various sources for sets of parts (including rental companies, music publishers big and small, libraries and archives.) In other words, each page would contain a short list of links to sources for parts. Users of IMSLP could then make contact with the sources, making inquiries about prices, terms of rentals, condition, etc.
In addition to the considerable benefits this step would bring to musical organizations who use IMSLP, it might also bring to IMSLP some gratitude from music publishers. They might be able to rent sets of parts for countless obscure PD works long dormant in their archives (while users download the scores free on IMSLP.)
The information about availability and sources of parts for each score could be gathered gradually from IMSLP's users, through use of an online submission form. Contributors could list the sources, give an email contact and/or website, and specify whether the parts are available for purchase, for rental, or for free (postage only -- such as the Fleischer Collection.)
I have no doubt that the availability of this information in one central location (i.e. IMSLP) would have a profound effect on the repertoire performed today by orchestras, opera companies and chamber ensembles.
MS