Intro for a halfhearted musician...
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Intro for a halfhearted musician...
Hello, I'd like to start out by stating that I wouldn't be considered a musician by any sub-elitist standards. I've never finished theory, ear trainint, and couldn't afford an instrument much lest tutoring for one! I'm actually studying for a BA in Animation in a commercial art school that also teaches some audio editing just recently...I have a long term goal of making my own films, and the majority of my stores were inspired by a few composers I've grown fond of; Dvorak, Villa-Lobos, Xavier Montsavaltage, etc...and I wished to compose work for mine or other films as well. Sadly I still can't transcribe anything that comes into my head so almost all the melodies I've come up with this past decade have dissappeared...hopefully I can show you all some of my artwork inspired from these legends however! I have only a minor disability so if anything's misunderstood let me know privately and I'll try to fix it to make to post more clairfiable...
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Some might call me Elitist, but that is only because there definition of Elitist is 'classical music'. I don't believe I am elitist, and while I don't want the contents of Classical Music repertoire to be distorted (I don't like the idea of Mozart in a band (or vice versa)), I do want classical music to be more popular.
That said, I feel there are problems with classical music being the popular genre, that being a dilution of capable composers. But that isn't going to happen any time soon..
That said, I feel there are problems with classical music being the popular genre, that being a dilution of capable composers. But that isn't going to happen any time soon..
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Oh, I wholeheartedly agree with that! Of the music I actively listen to, 98% of it is classical (and about half of that is Renaissance choral music), and the rest is almost all musicals. I see myself as quite musically diverse (I mean, my tastes span about 5 centuries), but many people tend to think I'm close-minded because I "only like classical."
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Well, I think that's theren't not much operatic influence on the regular arias/numbers of the show (except for the Think of Me cadenza), but definitely a lot of the transition / background music is operatic in nature. The only way I would have to really describe the main vocal numbers is "AndrewLloydWebberish". By the way, did you know that in every cast that has done the show, their Christine records her vocals at the end of the "Phantom of the Opera" song, to use for each performance? Understandably so, because you'd totally blow out your voice singing that 8 times a week. I'm not sure if she prerecords the Think of Me cadenza too; probably not, because it's so short?
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I'm not sure. It's a high C. One high C a night wouldn't kill you, I would think.